For Immediate Release
Spuyten Duyvil New York, New York
Fifty years after she witnessed her first protest — Negro women in shirtwaist dresses and their children marching outside the 3rd grade classroom window, while Mrs. Mallory read “Charlotte’s Web” — Susan Grace Banyas returned to her hometown of Hillsboro, Ohio, to find the women and the county engineer who sparked the action with a single tool, a match.
One person sends her to the next and she follows the clues to uncover a big American tale set against the backdrop of the Cold War. The voices of the Marching Mothers, the County Engineer, Federal Judges, Town Folk, Civil Rights leaders are choreographed into a narrative that spirals from the conversation at the Prime Cut to the coup in the Congo.
Inspired by her Quaker Ancestors, who operated a “safe house” on the Underground Railroad a few miles from Hillsboro, Banyas focuses the light on what hides in the shadows of the culture, then and now, and the deep nature of memory as a tool for empowerment, creative collaboration, and healing. The Mothers outside the school window didn’t wait for history. They defined it.
Susan Grace Banyas is a choreographer and multi-media artist who grew up in Southern Ohio and lives on the West Coast. This is her first book.
North American Distribution: Ingram $18.00 ; Paperback ISBN: 978-1-947980-90-7 US Release July 2019
SUSAN BANYAS has worked extensively as a dancer, writer, and performance artist since 1976, when she co-founded SO&SO&SO&SO and began to develop Soul Stories and Everyday Dancing, forms that integrate movement, image, and language into physical poetry. She has taught for the past 40 years in school, universities, and in studios, and has directed and created numerous full-length original dance/theatre works, including The Hillsboro Story and No Strangers Here Today, multi-voiced investigations that illuminate the role her Ohio hometown played in American Civil Rights history and the journey to encounter that history directly. Both pieces toured nationally and are expanded into a non-fiction book, The Hillsboro Story/a kaleidoscope history of an integration battle in my hometown, (Spuyten Duyvil Press, NYC, 2019). Outtakes is a multi-media performance form, featuring excerpts and outtakes from the book, performed as a solo monologues, lecture-performance, ensemble theatre, designed for varying venues. She co-directed, with choreographer Andrea Parson, Finding Soul, A Constellation of Dance Stories, for Coho Theatre’s Summerfest in Portland, Oregon. Her choreography and theatre direction inform the Blue Wheel series - video documentary and full length multi-media performance collage. The collaborative dance/theatre work, It’s Been a Busy Week has been staged in various sites, including Marylhurst University’s Art Gym exhibit, Dance: before, during, after, visual art and dance practice. She has received support from numerous regional and national arts organizations and foundations, has been featured in three books on art and life, and was gifted with residences at Caldera in Oregon and the Robert Rauschenberg Residency Program in Captiva, Florida. In 2016, she received the Yolanda D. King award from the Vancouver Avenue First Baptist Church in Portland for “living the dream” through storytelling and activism.
Image by Dorinda Holler Image by Deborah Dombrowski
Additional Book Images
NAACP attorney’s Constance Baker Motley between Russell Carter and James McGee, 1956
Marching Mother Elsie Steward Young, 2016, 100th birthday celebration
Bells Opera House, High Street, Hillsboro, Ohio